Showing posts with label Nature. Show all posts
Showing posts with label Nature. Show all posts

Wednesday, 19 August 2026

Church Green, Waiting for Rain

It has been said often that there are times when the familiar suddenly becomes unfamiliar.

This is Church Green in Witney. I took the picture after almost two months of summer heat and scarcely a drop of rain. That  great sweep of grass, normally such a reassuring green, has been bleached to the colour of straw. An English town green  waiting for water.

Yet the trees around it have held their colour. Their deep green foliage frames the dry expanse, while the benches sit quietly at the edges, as though waiting for the Green to become itself again.

But above this exhausted landscape, dark clouds are gathering. A patch of blue remains visible beyond them, and sunlight still catches the trees and buildings, but the storm is unmistakably approaching. A few hours after I took the picture, the rain finally came, a sharp, welcome shower after weeks of dryness.

It brought to mind, inevitably for me and to the annoyance of friends who remark on my obsession with the poem, the closing section of T. S. Eliot's The Waste Land. There, after the desolation of the poem's dry landscape, Eliot gives us his  image of the Ganges:

'Ganga was sunken, and the limp leaves
Waited for rain, while the black clouds
Gathered far distant, over Himavant.'

Absurdly disconnected, of course. This is not the Ganges, nor are these clouds gathering over Himavant, the snow-clad mountains of the north. There is nothing here resembling mountains at all. This is Church Green, Witney. There is no sacred river disappearing into the dust, no Himalayan range looming beyond the horizon. There are parked cars, village houses, benches and — somewhere just out of sight — probably a dog waiting for its owner.

And yet Eliot's lines catches  something that this photograph catches too: the strange stillness before rain. There, the Ganga is sunken and the limp leaves wait. Here, the grass is bleached to straw, the trees stand heavy with their leaves, and the clouds gather as in the poem, Crouched, humped in silence. We could be here, or there, or elsewhere*.

* T.S.E - East Coker

Thursday, 6 August 2026

Wildfires: The Story Beneath the Smoke

Each summer the hills seem to rehearse the same old tragedy: a flicker in the heather, a plume of smoke, and suddenly the air is thick with cant. Fire becomes prophecy; every blaze adds to the story we already think we know. Yet the land itself tells a different story — one Matt Ridley traced in last week’s Spectator, and which I summarise here. It is a tale of fuel left to gather, of old practices set aside, of moors that have been neglected, or abused. 

But in the New Statesman the following week, Richard Seymour offers a counter‑argument  that  focuses on, and expands on,  the interference in  planetary systems for short-term gains. Between these two writers — Ridley and Seymour — we have a debate worth exploring, not because balance is a refuge from thought, but because understanding requires that we see the full shape of the problem.

Ridley’s Argument: The Neglected Moor

Ridley’s case is, at heart, a plea for practical stewardship. He argues that Britain’s moorlands have become dangerously flammable.  And the reason is not climate change but because traditional land management has been curtailed. Controlled 'cool burns', once used by farmers and gamekeepers to keep heather short and peat intact, have been restricted or banned. Rewilding schemes have reduced grazing. Bureaucratic caution, he says,  has replaced local knowledge.

The result is fuel: waist‑deep heather, continuous scrub, and peat primed to smoulder for weeks. Fires that might once have crept across the surface now burn down into the moss, releasing vast stores of carbon and overwhelming fire services. Ridley’s lament is not ideological but ecological: if we stop tending the land, the land will burn.

It is a story of human neglect, institutional misjudgment, and the sidelining of rural workers who still know how to read a moor.

Seymour’s Argument: The Pyrocene

Seymour’s account starts not with moorland practice but with planetary physics. The Saumos fire near Bordeaux, he says, generated a pyrocumulonimbus cloud: a thunderstorm born of smoke and heat, a self‑propagating engine of fire. For Seymour, this is emblematic of the Pyrocene, an age in which fossil‑fuelled capitalism has altered the Earth’s fire regimes themselves.

Where Ridley sees mismanagement, Seymour sees weather whiplash: wetter winters that encourage lush growth, followed by hotter, drier summers that desiccate vegetation into tinder. Even a small rise in temperature, he argues, dramatically increases the area burned. Fire‑adapted ecosystems — California’s chaparral, Australia’s eucalyptus forests, are now burning beyond their evolutionary limits.

Crucially, Seymour does not deny the importance of management. He writes:

“Efforts to prevent fires rather than manage them tend to leave fuel to accumulate while also changing the biochemical composition and moisture retention of the soil, thus making the fires more extreme.”

But for him, mismanagement is not the cause — it is the accelerant. The underlying fire is climate change.

Holding the Tension

Ridley reminds us that landscapes are not abstractions. They are tended, grazed, burned, cut, and cared for. When that care is withdrawn, whether through policy, ideology, or simple absence, fuel accumulates. Fires worsen. Rural knowledge erodes. This is true, and Seymour does not dispute it.

But Seymour reminds us that landscapes are also systems embedded in larger systems: atmospheric, hydrological, economic. Even well‑managed ecosystems are now experiencing fire behaviour that exceeds historical norms. Wetter winters, hotter summers, invasive grasses, monocultural plantations, depopulated rural interiors: these  all these have impact. This too is true, and Ridley does not fully address it. The tension, then, is not between fact and fiction but between scale and causality.

Ridley’s fire begins in the heather. Seymour’s fire begins in the air. Ridley’s fire is local, preventable, a matter of stewardship. Seymour’s fire is global, systemic, a matter of physics and political economy. Ridley’s fire can be fought with diggers, burns, and boots on the ground. Seymour’s fire requires emissions cuts, land‑use reform, and a reckoning with the Pyrocene.

Toward a More Complete Understanding

A balanced view is not an escape from responsibility; it is a refusal to simplify a complex ecology into a single cause. Wildfires are not merely the result of mismanagement, nor merely the result of climate change. They are the product of interaction: climate dynamics meeting land‑use decisions, atmospheric physics meeting human policy, global heating meeting local neglect.

To understand the story fully, we must listen to both voices — not to choose between them, but to see how they can direct a concensus.

And yet, as I read Seymour’s essay, I find myself pausing at the point where his analysis widens into a sweeping indictment of capitalism. There is truth in what he describes — the fossil‑fuel economy has undeniably had an influence on the conditions in which these fires now burn — but the polemical edge of his argument risks blurring the ecological picture with a moral one.

He claims these fires are an emblem of a single economic system. For a mement, he sees  the complexity of land, weather, soil, and stewardship simplified into rabid ideology.

Between these two columnists lies a space where the debate becomes genuinely illuminating. Wildfires are neither purely the result of mismanagement nor purely the result of global capitalism per se; they are the meeting point of climate physics and human choices, of planetary forces and local neglect.

To understand the story, we need both approaches  — but we also need to keep them clear.

 Postscript

Here are verbatim the words of Martin Van de Weyer in the Spectator, in follow up to these recent articles. They  encapsulate the epitome of  'both approaches'.

Combustible Neglect

I can attest to the changing climate of south-west France that’s blamed for the inferno which devastated 42,000 hectares of the Gironde. Some 120 miles to the east in my patch of the Dordogne, we used to expect rain every afternoon but now enjoy almost unbroken summer sunshine. As in everything, however, there are economic factors.

The afflicted area between Bordeaux and the Atlantic (I learn from Medieval Histories) was marshland grazed by sheep until 1857, when Napoleon III ordered it to be drained and planted with pines – which were tended by resin-tappers until that industry declined in the mid 20th century.

After which, no one cleared the ground vegetation that acts as kindling for pine plantations in dry summers. Meanwhile, declining wine demand led to the combustible neglect of adjacent Gironde vineyards. Just as the concreting of England for housing estates and industrial sheds has increased flood risks that are exacerbated by altered rainfall patterns, so zealots accuse humanity at large of burning the planet when very often what’s really changed is local topography, driven by local profit and loss accounts.

© The Spectator Aug 8th 2026

Tuesday, 19 August 2025

Dragonfly Sonnet


Dragonfly


It is the cave of me, its emptiness,
Which hollows your own imperfections free.
The echo shapes a shadowed tenderness,
Where absence learns the art of memory.

Yet in the damp, where silence clings like stone,
A fragile nymph stirs restlessly unseen;
It dreams of wings it cannot call its own,
A shimmer waiting where the dark has been.

And so it breaks — the thin skin of the past,
Shedding the weight of oldness in the night;
The cave dissolves, its hold undone at last,
A body glimmers, born of hidden flight.

Innocent now, it hovers, fierce and small,
A dragonfly that knows no cave at all.





The original Poem

The Cave of Me
 
It’s the cave of me, its emptiness
That hollows your own imperfections free.
As if in the darkness of the internal soul
The streams of pure beauty flow like
Glistening rivulets procreant in unfathomed
Grottoes. 

The dragonfly was once
A grub in that darkness. We never
See his emergence. We see him skate and skim
And fly free, and have never seen the painful
Miracle of the shedding of oldness in darkness;
Thus, we were not given to that vision, the
Knowledge of which is too much to bear.
We were given to be like the dragonfly
Innocent and flying free.
 
Oxwich, Gower
October 1972

Sunday, 27 July 2025

A Kelling Memory

 



Autumn and winter days at our cottage in Kelling were marked occasionally by the arrival of guests of the Kelling estate. These guests - paying guests - came for the entertainment offered by the regular pheasant shoots. Here is a reflection, written as the spent pellets rained upon our cottage conservatory. It was completed in Oxfordshire sunshine a few days ago.

The Reluctant Sportsman

The guns speak a fate. Keep 
Brave as the birds break cover.
Squeeze the trigger. The flock in disarray
Hovers then darts loose over the fields.
Shame hinges on a miss. This
Is what we expected. The land over stiles
Marks an escape. I am reptile.

The guns settle. Held, not fired.
Brave as the birds break cover.
Finger stays curled. The flock in disarray
Hovers then darts loose over the fields.
No one sees the stillness. This
Is not what was expected. The land over stiles
Marks a passage. I stay human.

The grass parts. A rustle speaks.
Brave as the sky calls danger.
Muscle recalls the flint of air
As bodies scatter, low and rising.
A crack behind. Not struck. This
Time, still breathing. The land over stiles
Means a distance. I am creature.

Kelling October 2015/Oxon July 2025

  • Stanzas 2 and 3 developed with assistance of Co-Pilot AI

Treescape in Watercolour 2022



Friday, 19 April 2013

On the Difficulty of Identifying Clouds

First published April 22nd 2012

I have just come in from taking a few pictures of the sky, after a short and sudden hailstorm. Recently, I have been discussing with a friend, the names and identities of clouds. The spring season is on us, April is delivering the anticipated showery days, and the time seems propitious to nail down some of this esoteric wisdom.

Here is a view looking north from our house.

Cumulonimbus - or possibly Cumulostratus
And here is the opposing southerly view, a few minutes later


Cumulus threatening to be Cumulonimbus


I am reminded once again of how tricky it is to pin down these esoteric names. I have studied the guide ( here it is from the Met Office), and have looked at similar photos of clouds on their website: but I still find it a puzzle to commit between Cumulus, and the lower-level Cumulonimbus. And getting the distinction between Cumulonimbus and Cumulostratus is also a challenge.

In my “northerly” view above, I think I’d  go for Cumulostratus, given that there are no distinctive white cotton-wool edges anywhere … or are there just a few hints of them in there?

In my “southerly” view, we see only the top half of some very fluffy Cumulus – but behind the trees, wno knows what Nimbus awaits?

The philosoper Heraclitus of Ephesus (540-480 BC) teaches that all things are in flux or change. This for him was the case, in spite of what empirical evidence might indicate at times. Nothing is permanent, but everything is constantly becoming something else or going out of existence.
It doesn’t rain much in Ephesus, but I think he must have seen a few clouds in his time.

Met Office guide to cloud types and pronunciations

Source: metoffice.gov.uk


Monday, 3 September 2012

Geological Time and Cigarette Papers

 Yesterday (one of those sunny September afternoons in clear light on shimmering flat sea and no breeze), Clare and I went  on a  Geology tour at West Runton beach  (Norfolk, twixt Sheringham and Cromer). It was led by a former curator of Cromer Museum, who was part of the group which discovered the Steppe Mammonth on this beach in the early 1990s.

He was excellent at explaining  the classification of Geological time since the Big Bang. He used the location to do so

We were standing on the concrete mooring platform at West Runton. From this mooring, our guide pointed to  Cromer Pier in the distance, some 2.5  miles away. His illustration went like this:

Cromer Pier from West Runton Beach
Imagine, he said, a timeline where the start is Cromer Pier representing the Big Bang, the start of our Universe. Then he pointed to a half centimetre crack at the edge of the concrete mooring upon which we were standing. At  some point in this crack, he said, would have occurred the latter stages of Pleistocene Epoch in the Cenozoic Era,  2.5 million – 12,000 years ago. The Holocene, our current Epoch in the Cenozoic Era, and the end of the timeline, would have been a fag-paper’s width within this crack....


Twelve thousand years and a fag-paper's width. A momentary perspective on our sense of what's important, our place in the scheme of things