Tuesday, 16 June 2020

Churchill and the World as a Struggle against Totalitarianism

 Oddly enough, though we go to Blenheim Place for a wander quite regularly, yesterday ( June 16th, wedding anniversary) for the first time we wandered in the new memorial garden to Winston Churchill which includes a quite fine bust of him as an old man ( He was born 1874 at the palace of course, and proposed to Clementine near the garden's  location in 1908). Our presence there was not deliberate. This was just serendipity in the current moment of statue-bashing. I didn't know it was there until I saw it.

I suppose I can condense all those conflicting views about Churchill being fed into my  brain, into a simple understanding of something quite important about him. He stood up against totalitarianism, and recognised in the zeitgeist, a misguided sense of virtue. Whatever else once can say about his long life (he was already 64 years old when Chamberlain waved his "Peace in our Time" message  to an adoring public and media)  it gave Churchill the wisdom to see the bigger picture. 

What we can also say is that, after all the sacrifices made in WW2 to defeat a clear and present totalitarian push, our democracy booted him out with a landslide Labour victory. And that, to me anyway, is the point of the country we live in and the power of the democratic system. We have the Great Victorious Leader, but we can chop him down at any time.

Can they do that in China?

We have heard the following argument before, but I have absolutely no doubt that western democracy is now under a huge threat from China. And interestingly, part of that threat is to encourage us not to question what is happening to us as free-thinking people. 

We are encouraged to do battle with each other on who is racist, who is privileged, who is the victim. Because deep down we know - quite rightly - to understand that humanity matters, and so most right-thinking people defend to the hilt those whom we see clearly are wronged. It is when we focus on the detail and not the big picture, we are in trouble. 

And so, for example, it becomes more and more difficult to question the number of Chinese students arriving for extended study in the UK. Because we ask the question, the current zeitgeist confirms us in the view that we have something personal - even racist - against any individual wishing to broaden their horizons with an education in the UK. And so it is difficult to question, for example, how many of these individuals are obliged to be affiliated to the CSSA ( see:  "China: Government Threats to Academic Freedom Abroad". Human Rights Watch. March 21, 2019. https://www.hrw.org/news/2019/03/21/china-government-threats-academic-freedom-abroad (Archived from the original on January 14, 2020. ). 

The hidden problem it seems to me, that however broad their horizons become,  for the individual Chinese person educated in the UK, there is huge pressure on them to be part of the Beijing-sponsored CSSA and conform to its worldview. This affects their ability to think freely and vote independently in student forums, and indeed their ability to behave independently in their own peer group.  

Why is this important? I think it is important because totalitarian regimes are in it for the long haul. Part of that long haul, of course, is to encourage populations to turn  against each other, and especially in matters of "inclusivity" and "diversity". They also insist on a 'right' way of thinking, and an unquestioning obedience. They neglect the creativity of the individual which has every possibility to lead that individual to become the best of themselves as a rounded human being. How to navigate that conundrum is a constant problem.  I think that's why we study history and must be careful not overly to focus on details of it to suit an agenda.


See updates on this Churchill, Confucius and the Question of How We Judge the Past 

and China and the Question of Influence  

Friday, 31 January 2020

Wind-in-Pines Remembered


These are a few snatched images from old notebooks and albums stored away for almost a half-century. How well I was looked after - with my travelling buddy Bob - by the Burnham family in those Summer 1972 days! It was a special time. Why I took no more photos is a mystery. Though of course, a Kodak Instamatic and a couple of 24-frame film rolls was all I seemed to think was enough for a 3-month sojourn in the USA. But in recompense, the memories of Sebago Lake remain fixed vivid in the mind.

How we enjoyed creating this! Long gone now I'm sure







Wind-in-Pines

Not far, though it seems an age; yet
No eternity, just an instant in time.
Here is another country; here
City vapours vanish, and sweet air
Whistles the wind-song sifting in Pines.

The rain is music in the forest trees
And the mingling of a past and present falling
Softens the carpet of ground for a transient listener.

Here is a new song, yet scarcely
Dare I listen, dare
Scarcely touch the brittle stems
Perennial
Yet only of a moment’s time.

Sebago Lake, Maine
June 22nd 1972

Wednesday, 22 January 2020

Eduardo Paolozzi: General Dynamic F.U.N.

Featuring in the exhibition space at the Woodstock Museum this month is the touring exhibition of silk-screen prints from Eduardo Paolozzi. It is on show until February 9th and features a series of fifty screen prints and photolithographs created between 1965 and 1970. These screen prints are firmly rooted in the pop-art movement, and pre-date the more famous iconography of Andy Warhol: both artists employing techniques which allow for replication of the work in various modes of colour and sequence.



A swift look through the comments made by contributors to the visitors' book encouraged me in the view that I was not alone in finding the mainly-chaotic in this well-organised presentation. A sense of humour and detachment helps to get the best of these images. I came away echoing the thoughts of the majority about this heap of images from advertising, films, cartoons, screen and cultural icons and much else by way of cultural ephemera. The art presents a window to the minds of generations now, that have been exposed constantly to multifarious and random ideas and images from all directions, putting upon us a constant pressure to sift and sort through so much input - so that in the end we must rest with the flow in a place which may or may not fit a coherence.

© http://wutw.co.uk/eduardo-paolozzi-general-dynamic-f-u-n-the-oxfordshire-museum/


Momentarily I called to mind the commercial work of Robert Opie. He, like Paolozzi had passion for advertising ephemera as a boy and young man, and I remembered him from one summer maybe 50 years ago now, where I lodged in his house in West Ealing and was surrounded by tins and packages of famous consumer goods and commercial brands, which later formed a minuscule part of what has come to be a major collection and commercial enterprise. To each their own: art or commerce in ephemera, the subject for reflection today.

From Robert Opie Collection
© https://www.museumofbrands.com/time-tunnel/