I came across these few lines from 2013 while clearing out old files — fragments from long‑ago emails that I can never quite bring myself to delete. They have the same quality as forgotten photographs: a recognition and reminder of the people we were and the times we lived in.
I just heard Aung San Suu Kyi and her Desert Island Discs. I enjoyed the choice of Here Comes the Sun, and of Pachelbel’s Canon. I was intrigued by her choice of a Tom Jones standard, which actually she had not heard before (!). I was not so happy with John Lennon’s Imagine – sadly becoming more of a dirge which has not stood up to time, I think.
I was very struck by her assertion that her father was her “first love and best love”. She was two years old when her father was assassinated, so I am fairly sure her memories of him are all received ones. I then think of her reasons to “love the army” – which essentially centre around the fact that this is “his” army, her father’s army.
Her life and drive thus seem to me to be a powerful meditation on all-pervading presence of an invisible, absent father ( who, moreover, was sacrificed in blood for the sake of a people) from whom she feels blessed by an unconditional love.
Maybe because of this, those Bible readings
she did for her ailing Grandfather spoke to her in equal measure to the
teachings of Buddha. Either way, what also comes through – and her voice
betrayed this often – is a hardness against sentiment and familial love, which,
in her life, has had to play second fiddle absolutely. I wonder how her sons
are doing.
The life which
Aung San Suu Kyi embraces is one which puts the whole business of family life
and personal relationships in a second-place perspective.
The programme is here