Wednesday, 17 June 2026

Sound in Movies: A Different Kind of Seeing

 

I saw the movie "Tuner" today, and one of the features of the film was the use of sound at certain times when the drama focussed around the Leo Woodall character in  his safe-cracking, and in other action moments.  We were hearing the action from the sounds in his head. This was interesting, and I recalled the role of sound in 'Rose of Nevada', which I reflected on recently. In that film,  oddly distant dialogue, the slightly unreal soundscape placed  a layer of distance between the viewer and the action. Use of sound in ‘Tuner’ was different.

In ‘Tuner’ the sound design functions as a form of subjective immersion. When the drama centres on Niki White’s ( Leo Woodall ) safe-cracking, or on moments of heightened concentration and danger, we are drawn into his  sensory world. External reality recedes and we hear what he hears and what his mind attends to. Small sounds become magnified, irrelevant sounds disappear; rhythms and mechanical noises acquire an almost musical significance.  

Rose of Nevada had the reverse effect.  I guess one way of putting this is that ‘Tuner’ uses sound to move us closer to experience, while Rose of Nevada uses sound to move us further away from it.

But in  both cases at least, we are reminded that sound is as important to any film, and  cinema is more than  a visual art. The eye tells us what is happening, but the ear helps us  to inhabit what is happening.

In Rose of Nevada, the unusual soundscape contributes to the feeling that the events are being recollected, half-remembered, or viewed through a veil of memory and myth. The distant dialogue and unreal acoustic space make us feel that we are  never entirely "there."

In ‘Tuner’, by contrast, sound compresses the distance between audience and character. Every click, scrape, and metallic resonance becomes charged with significance because we are experiencing events from within Niki White’s concentration.

So, in  both movies, sound is controlling our psychological distance. We should look out for the next award season: both movies will surely be listed for Best Sound?